 |
"DR. JEKYLL &
HEIDI"
Part Two |
| (CU OF DR. JEKYLL
WRITING IN HER JOURNAL. THE TONE OF HER
VOICE-OVER IS SERIOUS AND SCIENTIFIC, WITH NO
HINT OF HER SEXY ALTER EGO.) |
|
|
| I awakened next morning in my own bed, not |
| knowing how I got there, haunted by |
| fragments of twisted dreams. Much more |
| work must be done before I dare try it again. |
|
| (DISSOLVE TO: DR. JEKYLL WORKING IN
HER LABORATORY) |
|
|
| But I can't give up now. Not with 51% of the |
| human race depending on me. |
|
| (SFX: A "FAMILIAR" KNOCK ON
THE DOOR) |
|
|
|
|
| I don't know any Bobbies. And I'm very busy. |
| Come back later. |
|
| (DR. HARRIS ENTERS WITH HIS ASSOCIATE, DR.
SHWARMA SINGH) |
|
|
| But Hon, what about brunch? I invited Dr. |
| Singh here to join us. I know a good |
| Mexican. . . |
|
|
| I told you, Doctor, I'm very busy. I haven't |
| time to eat. So -- if you'll excuse me. |
|
|
| Hey, no problem. If you two love birds needs |
| to be alone . . . |
|
|
| The doctor and I are hardly "love
birds," |
| Doctor. I can't imagine where you got that |
| idea. Now, if you'd both leave my lab -- |
| please! |
|
|
| Well, I can take a hint. C'mon, Shwarm. |
|
| (DISSOLVE TO: DR. JEKYLL WRITING IN
HER JOURNAL) (MUSIC: JOURNAL WRITING
MUSIC)
|
|
|
| After exhaustive recalculations I concluded |
| that I had taken too much the first time. So |
| later that day I took half as much . . . |
|
| (DISSOLVE TO: DR. JEKYLL IN BED WITH
DR. SINGH. ONCE AGAIN SHE'S TURNED INTO HEIDI.
THEY ARE BOTH HOLDING LIGHTED CIGARETTES) |
|
|
| You are everything that Dr. Harris ever said |
| you were. |
|
|
| And you are like a Hindu god. One with |
| many, many hands. |
|
|
| I only wish that, somehow, someway, today |
| could go on for Eternity. |
|
|
| Ooh, I love when you speak. You sound so -- |
| intellectual. |
|
| (DISSOLVE TO: DR. JEKYLL WRITING IN
HER JOURNAL) |
|
|
| This time I remembered. But in spite of the |
| terrible side effects I felt it was
imperative that |
| I inform the faculty of my findings. |
|
| (DISSOLVE TO: DR. JEKYLL AT A PODIUM
ADDRESSING THE FACULTY. SHE'S DRESSED
CONSERVATIVELY. HER ATTITUDE IS STERN AND
SERIOUS) |
|
|
| Gentlemen, I doubt that many of you are |
| aware of my lengthy search for a suitable |
| analog of synthetic estrogen... |
|
| (DR. JEKYLL STARTS TO TURN INTO HEIDI) |
|
|
| It's been a long, tiring, and difficult
process. |
|
| (SHE LOOSENS HER RIBBON BOW TIE AND TAKES OFF
HER JACKET) |
|
|
| Of course, I wouldn't want to bore you with |
| the details . . . |
|
| (COMPLETELY HEIDI NOW, SHE TAKES OFF HER
GLASSES AND STARTS TO PLAY WITH HER BLOUSE
BUTTONS, BUT THEN SNAPS OUT OF IT AND GOES BACK
TO DR. JEKYLL) |
|
|
| Naturally, funding has been a major problem. |
| Research into female endocrinology lags far |
| behind male hormonal research. |
|
|
|
| But then, who wants to hear about that stuff?
|
| My, it certainly is warm in here. |
|
|
|
| If males in our society suffered the full
range of |
| symptoms associated with estrogen loss this |
| breakthrough would have occurred years ago. |
|
|
|
| But then I'm sure you all have more important
|
| things to think about. It's so warm in here.
I |
| hope you don't mind if I remove my stockings. |
|
| (THE MEN BEGIN TO APPLAUD AND HOOT AND
WHISTLE AS HEIDI PUTS ONE FOOT UP ON A CHAIR AND
STARTS TO REMOVE A STOCKING) |
|
|
| My, how you boys carry on. |
|
| (BACK TO DR. JEKYLL, SHE STARTS TO ROLL BACK
UP HER STOCKING) |
|
|
| As you can see, gentlemen, there are some |
| side effects. |
|
| (BACK TO HEIDI, SHE STARTS ROLLING HER
STOCKING DOWN) |
|
|
| But, if we all sleep on it -- I'm sure
something |
| will come up. |
|
| (THE PREDOMINANTLY MALE FACULTY GIVERS HER
THUNDEROUS APPLAUSE, HOOTS, AND WHISTLES) (DISSOLVE
TO: PART THREE)
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